That was a wonderful Easter egg for all of us longtime fans of Syfy shark week. Since, with the Sharknado franchise wrapping up, this could be the final shark week, Nightmare Shark also gave us a final chance to spend some time with some of our favourite shark movie protagonists. Unfortunately, not all of them survive their nightmares.
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The story of Deep Blue Sea was conceived by Australian screenwriter Duncan Kennedy after he witnessed the result of a "horrific" shark attack on a beach near his home.[4] The tragedy contributed to a recurring nightmare of him "being in a passageway with sharks that could read his mind".[4] This motivated him to write a spec script, while acknowledging the challenge of approaching a shark film without repeating Steven Spielberg's 1975 thriller Jaws.[4] Although Warner Bros. bought the script in late 1994,[5] actual development on the project did not start until two years later.[6] When Renny Harlin was chosen to direct the film, Kennedy's screenplay, which had already been re-written by several writers at Warner Bros., was presented to Donna Powers and Wayne Powers, who turned it into the film's final script.[5] According to Wayne, "The movie became essentially what we wrote. The draft we were first presented by [Warner Bros.] was much more of a military espionage, high-tech action movie, grenade launchers, that kind of thing. We wanted our team to include more blue-collar types and not to have weapons to fight back, to play it more as a horror film."[5]
In a 2016 retrospective, Wired editor Brian Raftery considered Deep Blue Sea "the greatest non-Jaws shark movie of all time" and superior to Jaume Collet-Serra's The Shallows.[24] He remarked that, within a genre that had been dominated by Jaws, Deep Blue Sea features "genuinely inventive" action sequences, "nicely rounded-out, human" characters, and memorable death scenes.[24] Raftery also noted that the film was among the last of its kind, describing it as "[A]n R-rated B-movie, full of gore and chaos and smart-stupidness, but with a big-budget, big-cast sheen", in a similar way to Paul Verhoeven's Total Recall and Starship Troopers, Roland Emmerich's Stargate, and Luc Besson's The Fifth Element.[24] Samuel L. Jackson's surprising death scene in the film appears on some lists of best film deaths of all time.[39][40] 2ff7e9595c
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